Fiction and Non-Fiction

Month: August 2024

Keeping a Streak Simple

Some years ago, I stopped using electronic apps for tracking tasks, to-dos and appointments, and went back to a manual organizer based on Ryder Carroll’s Bullet Journal Method. None of my pages are as colorful or attractive as the examples in his book, and until this week, I never really understood the concept of collections.

The lightbulb moment came when I was looking at how best to record a new daily activity which requires noting a specific item and then some reflection notes on that item. In some ways it would be easier to track this with an app, and I nearly went that route. That was until I remembered my schedule over the next few months won’t always have me near a computer or tablet.

So it was back to some internet searches and Ryder Carroll’s book and some thinking about what I wanted to get from this activity. The one thing I didn’t want was a big overhead. No matter how enthusiastic I am at the beginning, if it takes a lot to set up the documentation, I lose interest really quickly and the activity goes into that heap of other activities I’ve started and allowed to drift away.

In the end it was simpler than I expected. I have a two-page spread for each month, and decided to note the item against the day of the month. Beside the item, I make a reference to the page where I wrote the notes and reflections so I’m not constrained for space on the notes.

So far the streak is just starting. I’ll report back next August if it’s still going.

Some Thoughts on History

Sometime in the middle of July, I started the book Gangsters of Capitalism by Jonathan M. Katz. I bought the book because it looked to be about the Marine General Smedley Butler, and his experiences leading up to the time he was invited to join a proposed coup against then president Franklin D. Roosevelt.

I had two reasons for picking up the book. First was to learn more about Butler, and his apparent involvement with the coup. Second was to get a deeper understanding of the series of small actions in the Caribbean at the beginning of the twentieth century referred to as the Banana Wars. I knew a little about the Banana Wars from a visit to the Marine Corps Museum at Quantico some years ago, but outside of the documentation in the Marine Corps Archives, I hadn’t found out much about the Banana Wars, or the planned coup.

In the back of my mind was a novel, or series of novels about Marines in the Banana Wars with a central character present in all the books. I fully admit the idea for this came from my reading of W. E. B. Griffin’s series The Corps and his main character Ken McCoy. I even wrote an opening chapter about the 4th Marine Regiment deploying to Dominica from New Orleans.

Katz’s book jumps from relating one part of Smedley Butler’s service to that same area today – the Philippines, Panama, Nicaragua, Haiti etc. – and documenting the failings and excesses of the US as an Imperial power.

I haven’t yet read enough beyond Gangsters of Capitalism to form a proper opinion on Katz’s view of the history he tells. However, there was enough there for me to pause and think about the Banana Wars series. If I write the stories without reference to the excesses that took place, and which were apparently condoned all the way to the White House regardless of its occupant, I’m painting a false picture of the times. A picture that’s likely unjust to everyone involved.

Dean Wesley Smith reminds me regularly that writer’s are, at heart, entertainers. Staying anywhere close to reality means these stories wouldn’t be entertainment. So, for the moment, the Banana Wars idea is on indefinite hold.

Sprinkles not Spoonfuls

This past weekend I received some feedback on The Corpse in the Courtyard from one of my first readers.

I found the prolog hard, she said. There were time when you used a comma and I expected the word and after it. Did you do that deliberately?

As an example, I wrote A part of Jacob wanted to relax, walk across the courtyard The expectation was relax, and walk.

Writing that way was a deliberate choice. I came across the technique while studying the Eve Dallas novels by J.D. Robb (Nora Roberts). I liked what she did and how she did it, and decided to experiment with the technique about the time I started writing The Corpse in the Courtyard.

Dean Wesley Smith describes using many craft techniques – tags, power words, etc., as sprinkling a spice in your writing. It adds depth and flavor when done right. If you do it wrong, it can pull the reader right out of the story – just like that mouthful of cayenne pepper when you used a tablespoon instead of a pinch.

So I went back to the Eve Dallas books, and then my manuscript.

Essentially that’s what I did in the prolog. Instead of sprinkling the technique through the pages as J.D Robb did, I spooned it on thickly in just about every other paragraph. Because I was now reading the story from a different perspective, I saw what I’d done and felt how clunky the story flowed. Not good as I could lose a reader in the first four or five pages, and they would never know why they didn’t feel at home with the story.

It didn’t take long to make some changes that improved the flow of the opening. Now I have to read through my current work-in-progress and make sure I used sprinkles and not spoonfuls.

© 2024 Richard Freeborn

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