Fiction and Non-Fiction

Category: Craft (Page 2 of 4)

Some Thoughts on History

Sometime in the middle of July, I started the book Gangsters of Capitalism by Jonathan M. Katz. I bought the book because it looked to be about the Marine General Smedley Butler, and his experiences leading up to the time he was invited to join a proposed coup against then president Franklin D. Roosevelt.

I had two reasons for picking up the book. First was to learn more about Butler, and his apparent involvement with the coup. Second was to get a deeper understanding of the series of small actions in the Caribbean at the beginning of the twentieth century referred to as the Banana Wars. I knew a little about the Banana Wars from a visit to the Marine Corps Museum at Quantico some years ago, but outside of the documentation in the Marine Corps Archives, I hadn’t found out much about the Banana Wars, or the planned coup.

In the back of my mind was a novel, or series of novels about Marines in the Banana Wars with a central character present in all the books. I fully admit the idea for this came from my reading of W. E. B. Griffin’s series The Corps and his main character Ken McCoy. I even wrote an opening chapter about the 4th Marine Regiment deploying to Dominica from New Orleans.

Katz’s book jumps from relating one part of Smedley Butler’s service to that same area today – the Philippines, Panama, Nicaragua, Haiti etc. – and documenting the failings and excesses of the US as an Imperial power.

I haven’t yet read enough beyond Gangsters of Capitalism to form a proper opinion on Katz’s view of the history he tells. However, there was enough there for me to pause and think about the Banana Wars series. If I write the stories without reference to the excesses that took place, and which were apparently condoned all the way to the White House regardless of its occupant, I’m painting a false picture of the times. A picture that’s likely unjust to everyone involved.

Dean Wesley Smith reminds me regularly that writer’s are, at heart, entertainers. Staying anywhere close to reality means these stories wouldn’t be entertainment. So, for the moment, the Banana Wars idea is on indefinite hold.

Sprinkles not Spoonfuls

This past weekend I received some feedback on The Corpse in the Courtyard from one of my first readers.

I found the prolog hard, she said. There were time when you used a comma and I expected the word and after it. Did you do that deliberately?

As an example, I wrote A part of Jacob wanted to relax, walk across the courtyard The expectation was relax, and walk.

Writing that way was a deliberate choice. I came across the technique while studying the Eve Dallas novels by J.D. Robb (Nora Roberts). I liked what she did and how she did it, and decided to experiment with the technique about the time I started writing The Corpse in the Courtyard.

Dean Wesley Smith describes using many craft techniques – tags, power words, etc., as sprinkling a spice in your writing. It adds depth and flavor when done right. If you do it wrong, it can pull the reader right out of the story – just like that mouthful of cayenne pepper when you used a tablespoon instead of a pinch.

So I went back to the Eve Dallas books, and then my manuscript.

Essentially that’s what I did in the prolog. Instead of sprinkling the technique through the pages as J.D Robb did, I spooned it on thickly in just about every other paragraph. Because I was now reading the story from a different perspective, I saw what I’d done and felt how clunky the story flowed. Not good as I could lose a reader in the first four or five pages, and they would never know why they didn’t feel at home with the story.

It didn’t take long to make some changes that improved the flow of the opening. Now I have to read through my current work-in-progress and make sure I used sprinkles and not spoonfuls.

A Licensing Wrinkle

Over this past weekend, I was browsing the DepositPhotos web site looking for images I can license for book covers. I have a couple of projects currently in their early stages, but I have a fairly clear vision of how I want the covers to look to fit into that genre.

One of those visions is to have a New York image as a background with the characters in the foreground.

Easy enough you’d think, except there are several hundred thousand images of New York on DepositPhotos. They range from instantly recognizable landmarks like Central Park or the Empire State Building to street and alleyway scenes you’d only recognize if you lived close by.

I’m getting better and refining the searches and quite quickly found an image I liked that fit what I was looking for. When I clicked on the image for more details, it came up, and there was a white callout box above the image that said Editorial Use Only. Interesting, I thought. What does that mean? Fortunately, there was a pop-up box along with the callout to explain Editorial Use Only.

Essentially these images can only be used for non-commercial purposes and their use in any published work that involves the payment or receipt of a fee is prohibited.

Bummer, but as I said with several hundred thousand images it just took another few minutes to find something I could use without the Editorial Use Only restriction. The cover mockup looked good as well.

Before finishing a quick recap on Pro-Writing Aid Everywhere. I am getting to better grips with it. There are still some areas that feel a little clunky, but overall it has removed a step from my editing workflow.

Another Upgrade

This past weekend, I finally finished the read through and edit of my latest novel and began putting the changes into the Scrivener project.

My normal workflow once a story is finished, is to run it through Pro-Writing Aid to catch grammar, punctuation, and spelling issues. Then I print out and do the read through mentioned above.

I use Pro-Writing Aid as a desktop app, and when I opened it there was the message – upgrade available. So I upgraded. The desktop app is still there but in addition, I now have ProWriting Aid Everywhere.

I left Everywhere alone for a week or two because my guess was this upgrade required a learning curve. And boy was I right.

Being able to pull up ProWriting Aid without leaving my Scrivener document was a huge plus. Potentially, it lets me combine two steps into one – make the edits, check with ProWriting Aid. Done!

Except not exactly.

The integration works well in Word and Obsidian. Not so well in Scrivener. The first thing I noticed was all the spellings I added to the ProWriting Aid dictionary were gone and there didn’t seem to be a way to recreate them. Perhaps not much of an issue when writing a contemporary story, but a real pain with all those Babylonian names and places.

I finally found the dictionary in my online profile and added the words, but I used to be able to do that directly from within the app.

I can absolutely see the advantages of having ProWriting Aid available without having to leave the application you’re writing with. It’s just going to get longer to get used to, and understand the nuances, than I thought.

A Pleasant Surprise

Late last week, I took a pause in my current work-in-progress to look for a piece of writing that fit in with the work, and which I was sure I had scribbled down at some point in the past.

I have two Scrivener projects I use for notes. One is called Thoughts, and the other is Writing Projects. Thoughts really is for random jottings, notes and ideas. Writing Projects was originally conceived as a placeholder for new story ideas. Some things still get in there but not quite in the way I envisioned initially. I find it easier now to set up a complete Scrivener project and drop all the thoughts in there as they occur to me.

As you’re probably gathering, I didn’t find what I was looking for in those Scrivener projects. Where else to look?

Quite often I’ll take a scene or situation from a larger story idea and write a sort story covering that incident. I didn’t think I’d done that in this case, but worth a look inside the Scrivener project that stores all my short stories.

I still didn’t find what I was looking for, but I did find a completed three-thousand word short story that, according to the timestamp, I wrote about four years ago. The characters have appeared in other stories so they were familiar. The story itself not so much. I looked through my submissions log, and found I had never submitted the story to an editor, which made sense as I couldn’t find a proper manuscript document anywhere.

The piece of writing I was looking for remains elusive, but it was a nice surprise to discover something from the past – something I wrote and forgot about.

I’m wondering how many other stories I have that are like that.

Thrill Ride – Gadgets

If you didn’t support the kickstarter for Thrill Ride, the latest issue Gadgets, is arriving on June 21st. I don’t have anything in this issue, but I’ve seen some of the stories and it’s another great anthology.

I can’t tell you to hurry before all copies are gone, because it’s an eBook! However you can get it here where you can avoid the rush: Thrill Ride.

You’ll be glad you did.

Heallreaf 5 is Here

I’ve written before about my sister, Margaret, and what a talented weaver she is.

As well as winning many awards, and allowing me to use her work The Alchemist’s Dream as the cover for my book Mageweaver, Margaret is also the driving force behind the conception and continued success of the Heallreaf exhibitions.

Heallreaf started as a small affair at West Dean College in 2015 and has grown each time to Heallreaf 5 with showings in three locations in the UK starting on June 29th at Weston Park in Shropshire. I won’t make it to the Weston Park location, but I am looking at one of the other two – Morley Gallery in London in December 2024 or Farfield Mill in Cumbria from January to April 2025.

Morley Gallery will be easier for me from a travel perspective, but Farfield Mill is just a stone’s throw from the English Lake District. The Lakes have some of the most beautiful scenery in the world, and it’s a very, very long time since I’ve seen them so that may be the tie-breaker.

If you get the chance, take the time to visit Heallreaf 5 and the creations of some of the best weaver’s working today. You won’t be disappointed.

So Bad It’s Compelling

Have you ever sat down to watch a TV show or movie, or picked up a book, and in the first few minutes said: this is terrible, but you persist anyway?

This happened to me recently. I was surfing the dozens of channels on my subscription and complaining about how there was nothing to watch.
Not quite true, but I’ve never been into a dozen home shopping channels or following the exploits of housewives in this week’s target city. It was also that time of the evening when movies I might be interested in are well under way, and my cable provider is very unpredictable on which shows get the restart option.

I never thought I’d say it out loud, but there are times when I miss Comcast and Xfinity. Anyway, after the third cycle through the channel guide, I settled on a movie called Trailer Park Shark which was just starting.

Yes, you did read that correctly, and a couple of minutes in, it was about what I expected. “This is awful,” I said more than once. Despite that, an hour later, I was still watching. I may even watch the movie again because there must have been something in the way the story was told that kept me in front of the screen.

I’m sure there’s a learning opportunity there, and techniques I can use in my own writing once I figure them out.

First Person or Third Person

Toward the end of last week, I finished the latest Jacob and Miriam novel. This is the fastest I’ve written a novel, but not the reason for this post.

I write the Jacob and Miriam novels in the third person, and the Jacob short stories in the first person. It wasn’t a conscious decision to write that way, it just happened.

Once the novel was done, I put it aside and turned my attention to a short story – at least I think it’s a short story. It may turn out longer. It’s a Jacob story that came about from a throwaway line in the story A Cousin’s Outing that appears in the Thrill Ride issue Sisters in Arms.

In that story, Miriam makes a comment about a past event, and Gideon makes it a condition of his help to hear the full story about the event.

At the time, I had no idea what that event was, how it came about, or who was involved.

Well, the subconscious mind is a strange thing, and over the weekend, I opened a new Scrivener document and started writing about that event. After about 400 words, I came to a slow stop. Something didn’t feel right. I wasn’t sure what it was, so back to the top and reread from the beginning. As I did so, I found myself changing the viewpoint. With my head still deep in the novel, I automatically wrote Jacob in the third person. As I cycled back through the first paragraphs, I changed from third person to first, and then kept writing.

Because I started late in the day, I didn’t really expect to hit my daily word count, and was quite surprised when I looked up and had blown past it. I don’t think I would have been anywhere close had I persisted with Jacob in the third person. And I even have a title. Keep your eyes peeled for Unwelcome Competition!

iPad Revisited

It’s nearly two years since I wrote about my iPad purchase in the Brave New World post (May 2022 – Richard Freeborn).

In that post I talked about the keyboard, and how, without email I was able to be quite productive. I am still using the iPad for writing, usually with Scrivener because that’s where my fiction lives these days, but there are a few differences.

About six months ago, I bought a Macally bluetooth keyboard. It’s a full size keyboard with a separate numeric keypad. I hadn’t realized how much I missed that numeric keypad until I had it back again. Another feature of the Macally keyboard is the ability to connect up to three devices and switch between them seamlessly, with just a quick hoy-key combination.

It was very easy to connect the keyboard to the iPad, and much as I still liked the Magic keyboard, being able to sit and type with the correct posture was wonderful. It’s on these occasions that I make use of the separate iPad mouse, which to be honest doesn’t get much other use.

What I haven’t managed yet on the iPad is a heavy editing session where I have two or three or more chapters open in panes on the screen so I can make updates and corrections – like putting consistency into hair or eye color. that’s pretty easy to do on the Mac Mini with a 20+ inch monitor. Not so easy on the iPad where you don’t have the ability to pop out and rearrange documents. To be fair, when I get into those big editing sessions, there’s usually a pile of papers strewn across the desk as well!

Overall though, I’m still very pleased with using the iPad as a dedicated writing device for places away from my office. And I’ve still avoided configuring email!

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