Fiction and Non-Fiction

Category: Publishing (Page 2 of 4)

A Production Backlog

Over the past few years my production cycle – that’s the work I do between finishing the story and pressing the publish button Amazon, Kobo etc. – has been pretty ad-hoc. As I finish a story, I think about editing, covers, and sales copy.
That wasn’t really a problem when I was publishing a novel a year.

This year it’s been two novels, and I have on my desk a novella and a short story collection waiting to finish that production cycle, with another novella planned to finish by the end of October, and a third one by Christmas.

Those two published titles I mentioned last week still aren’t published!

I had an inkling this might be a problem when the manuscript for The Corpse in the Courtyard sat gathering dust for nearly two months before I got to the final read through.

It’s a problem I’m glad to have. It means I’m starting to hit some of the word count and project goals I’m aiming for. It also means my production schedule needs more planning than just an ad-hoc set of activities.

More of the Same

This last week has been fairly quiet. I wrote most of a Jacob short story with no real idea who the killer was, or how it ended. That was until late last night. I have to make some changes for consistency but nothing too heavy. My expectation is to finish the story tonight or tomorrow.

There’s been a lot of publishing energy going on as well. I’m about a third of the way through the final read on a novella. The cover and sales copy are all done so publishing will be soon after I get the corrections put into the manuscript. In parallel, I found several stories with the same protagonist. I finished the cover and sales copy yesterday.

The introduction is next on my to-do list after the Jacob story. By the end of the month, I should have two more titles available.

Thrill Ride 7 is nearly here

Make a wildfire your ally. Tread softly with the French Resistance during WWII. Extract an informant from the dangers of the Babylonian streets. Sail the Atlantic, float down a river, or take a fishing boat far out to sea. And you can always fight the Phoenicians with the least lucky Viking ever born.

My short story Making the Way Home is included in this issue of Thrill Ride Magazine.

Thrill Ride 7 arrives on September 21. You can preorder your copy on amazon at:amazon.com/gp/product/B0CWCPJZM5

Some Thoughts on History

Sometime in the middle of July, I started the book Gangsters of Capitalism by Jonathan M. Katz. I bought the book because it looked to be about the Marine General Smedley Butler, and his experiences leading up to the time he was invited to join a proposed coup against then president Franklin D. Roosevelt.

I had two reasons for picking up the book. First was to learn more about Butler, and his apparent involvement with the coup. Second was to get a deeper understanding of the series of small actions in the Caribbean at the beginning of the twentieth century referred to as the Banana Wars. I knew a little about the Banana Wars from a visit to the Marine Corps Museum at Quantico some years ago, but outside of the documentation in the Marine Corps Archives, I hadn’t found out much about the Banana Wars, or the planned coup.

In the back of my mind was a novel, or series of novels about Marines in the Banana Wars with a central character present in all the books. I fully admit the idea for this came from my reading of W. E. B. Griffin’s series The Corps and his main character Ken McCoy. I even wrote an opening chapter about the 4th Marine Regiment deploying to Dominica from New Orleans.

Katz’s book jumps from relating one part of Smedley Butler’s service to that same area today – the Philippines, Panama, Nicaragua, Haiti etc. – and documenting the failings and excesses of the US as an Imperial power.

I haven’t yet read enough beyond Gangsters of Capitalism to form a proper opinion on Katz’s view of the history he tells. However, there was enough there for me to pause and think about the Banana Wars series. If I write the stories without reference to the excesses that took place, and which were apparently condoned all the way to the White House regardless of its occupant, I’m painting a false picture of the times. A picture that’s likely unjust to everyone involved.

Dean Wesley Smith reminds me regularly that writer’s are, at heart, entertainers. Staying anywhere close to reality means these stories wouldn’t be entertainment. So, for the moment, the Banana Wars idea is on indefinite hold.

Sprinkles not Spoonfuls

This past weekend I received some feedback on The Corpse in the Courtyard from one of my first readers.

I found the prolog hard, she said. There were time when you used a comma and I expected the word and after it. Did you do that deliberately?

As an example, I wrote A part of Jacob wanted to relax, walk across the courtyard The expectation was relax, and walk.

Writing that way was a deliberate choice. I came across the technique while studying the Eve Dallas novels by J.D. Robb (Nora Roberts). I liked what she did and how she did it, and decided to experiment with the technique about the time I started writing The Corpse in the Courtyard.

Dean Wesley Smith describes using many craft techniques – tags, power words, etc., as sprinkling a spice in your writing. It adds depth and flavor when done right. If you do it wrong, it can pull the reader right out of the story – just like that mouthful of cayenne pepper when you used a tablespoon instead of a pinch.

So I went back to the Eve Dallas books, and then my manuscript.

Essentially that’s what I did in the prolog. Instead of sprinkling the technique through the pages as J.D Robb did, I spooned it on thickly in just about every other paragraph. Because I was now reading the story from a different perspective, I saw what I’d done and felt how clunky the story flowed. Not good as I could lose a reader in the first four or five pages, and they would never know why they didn’t feel at home with the story.

It didn’t take long to make some changes that improved the flow of the opening. Now I have to read through my current work-in-progress and make sure I used sprinkles and not spoonfuls.

A Licensing Wrinkle

Over this past weekend, I was browsing the DepositPhotos web site looking for images I can license for book covers. I have a couple of projects currently in their early stages, but I have a fairly clear vision of how I want the covers to look to fit into that genre.

One of those visions is to have a New York image as a background with the characters in the foreground.

Easy enough you’d think, except there are several hundred thousand images of New York on DepositPhotos. They range from instantly recognizable landmarks like Central Park or the Empire State Building to street and alleyway scenes you’d only recognize if you lived close by.

I’m getting better and refining the searches and quite quickly found an image I liked that fit what I was looking for. When I clicked on the image for more details, it came up, and there was a white callout box above the image that said Editorial Use Only. Interesting, I thought. What does that mean? Fortunately, there was a pop-up box along with the callout to explain Editorial Use Only.

Essentially these images can only be used for non-commercial purposes and their use in any published work that involves the payment or receipt of a fee is prohibited.

Bummer, but as I said with several hundred thousand images it just took another few minutes to find something I could use without the Editorial Use Only restriction. The cover mockup looked good as well.

Before finishing a quick recap on Pro-Writing Aid Everywhere. I am getting to better grips with it. There are still some areas that feel a little clunky, but overall it has removed a step from my editing workflow.

Another Upgrade

This past weekend, I finally finished the read through and edit of my latest novel and began putting the changes into the Scrivener project.

My normal workflow once a story is finished, is to run it through Pro-Writing Aid to catch grammar, punctuation, and spelling issues. Then I print out and do the read through mentioned above.

I use Pro-Writing Aid as a desktop app, and when I opened it there was the message – upgrade available. So I upgraded. The desktop app is still there but in addition, I now have ProWriting Aid Everywhere.

I left Everywhere alone for a week or two because my guess was this upgrade required a learning curve. And boy was I right.

Being able to pull up ProWriting Aid without leaving my Scrivener document was a huge plus. Potentially, it lets me combine two steps into one – make the edits, check with ProWriting Aid. Done!

Except not exactly.

The integration works well in Word and Obsidian. Not so well in Scrivener. The first thing I noticed was all the spellings I added to the ProWriting Aid dictionary were gone and there didn’t seem to be a way to recreate them. Perhaps not much of an issue when writing a contemporary story, but a real pain with all those Babylonian names and places.

I finally found the dictionary in my online profile and added the words, but I used to be able to do that directly from within the app.

I can absolutely see the advantages of having ProWriting Aid available without having to leave the application you’re writing with. It’s just going to get longer to get used to, and understand the nuances, than I thought.

A Pleasant Surprise

Late last week, I took a pause in my current work-in-progress to look for a piece of writing that fit in with the work, and which I was sure I had scribbled down at some point in the past.

I have two Scrivener projects I use for notes. One is called Thoughts, and the other is Writing Projects. Thoughts really is for random jottings, notes and ideas. Writing Projects was originally conceived as a placeholder for new story ideas. Some things still get in there but not quite in the way I envisioned initially. I find it easier now to set up a complete Scrivener project and drop all the thoughts in there as they occur to me.

As you’re probably gathering, I didn’t find what I was looking for in those Scrivener projects. Where else to look?

Quite often I’ll take a scene or situation from a larger story idea and write a sort story covering that incident. I didn’t think I’d done that in this case, but worth a look inside the Scrivener project that stores all my short stories.

I still didn’t find what I was looking for, but I did find a completed three-thousand word short story that, according to the timestamp, I wrote about four years ago. The characters have appeared in other stories so they were familiar. The story itself not so much. I looked through my submissions log, and found I had never submitted the story to an editor, which made sense as I couldn’t find a proper manuscript document anywhere.

The piece of writing I was looking for remains elusive, but it was a nice surprise to discover something from the past – something I wrote and forgot about.

I’m wondering how many other stories I have that are like that.

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